Sea-Heroes
by H. D. (Hilda Doolittle)(from Coterie, 1920)
Crash on crash of the sea,
straining to wreck men; sea-boards, continents,
raging against the world, furious,
stay at last, for against your fury
and your mad fight,
the line of heroes stands, godlike:
Akroneos, Oknolos, Elatreus,
helm-of-boat, loosener-of-helm, dweller-by-sea,
Nauteus, sea-man,
Prumneos, stern-of-ship,
Agchilalos, sea-girt,
Elatreus, oar-shaft:
lover-of-the-sea, lover-of-the-sea-ebb,
lover-of-the-swift-sea,
Ponteus, Proreus, Oöos:
Anabesneos, who breaks to anger
as a wave to froth:
Amphiolos, one caught between
wave-shock and wave-shock:
Eurualos, board sea-wrack,
like Ares, man’s death,
and Naubolidos, best in shape,
of all first in size:
Phaekous, sea’s thunderbolt—
ah, crash on crash of great names—
man-tamer, man’s-help, perfect Laodamos:
and last the sons of great Alkinöos,
Laodamos, Halios, and god-like Clytomeos.
Of all nations, of all cities,
of all continents,
she is favoured above the rest,
for she gives men as great as the sea,
to battle against the elements and evil:
greater even than the sea,
they live beyond wrack and death of cities,
and each god-like name spoken
is as a shrine in a godless place.
But to name you,
we, reverent, are breathless,
weak with pain and old loss,
and exile and despair—
our hearts break but to speak
your name, Oknaleos—
and may we but call you in the feverish wrack
of our storm-strewn beach, Eretmeos,
our hurt is quiet and our hearts tamed,
as the sea may yet be tamed,
and we vow to float great ships,
named for each hero,
and oar-blades, cut of mountain-trees
as such men might have shaped:
Eretmeos, and the sea is swept,
baffled by the lordly shape,
Akroneos has pines for his ship’s keel;
to love, to mate the sea?
Ah there is Ponteos,
the very deep roar,
hailing you dear—
they clamour to Ponteos,
and to Proëos
leap, swift to kiss, to curl, to creep,
lover to mistress.
What wave, what love, what foam,
For Oöos who moves swift as the sea?
Ah stay, my heart, the weight
of lovers, of loneliness
drowns me,
alas that their very names
so press to break my heart
with heart-sick weariness,
what would they be,
the very gods,
rearing their mighty length
beside the unharvested sea?
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Showing posts with label poem. Show all posts
Showing posts with label poem. Show all posts
The Sea Hold by Carl Sandburg
The Sea Hold
by Carl Sandburg (from Cornhuskers, 1918)
The sea is large.
The sea hold on a leg of land in the Chesapeake hugs an early sunset and a last morning star over the oyster beds and the late clam boats of lonely men.
Five white houses on a half-mile strip of land... five white dice rolled from a tube.
Not so long ago the sea was large...
And to-day the sea has lost nothing... it keeps all.
I am a loon about the sea.
I make so many sea songs, I cry so many sea cries, I forget so many sea songs and sea cries.
I am a loon about the sea.
So are five men I had a fish fry with once in a tar-paper shack trembling in a sand storm.
The sea knows more about them than they know themselves.
They know only how the sea hugs and will not let go.
The sea is large.
The sea must know more than any of us.
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by Carl Sandburg (from Cornhuskers, 1918)
The sea is large.
The sea hold on a leg of land in the Chesapeake hugs an early sunset and a last morning star over the oyster beds and the late clam boats of lonely men.
Five white houses on a half-mile strip of land... five white dice rolled from a tube.
Not so long ago the sea was large...
And to-day the sea has lost nothing... it keeps all.
I am a loon about the sea.
I make so many sea songs, I cry so many sea cries, I forget so many sea songs and sea cries.
I am a loon about the sea.
So are five men I had a fish fry with once in a tar-paper shack trembling in a sand storm.
The sea knows more about them than they know themselves.
They know only how the sea hugs and will not let go.
The sea is large.
The sea must know more than any of us.
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The Ballad of Sir Bors by John Masefield
The Ballad of Sir Bors
by John Masefield
WOULD I could win some quiet and rest, and a little ease,
In the cool grey hush of the dusk, in the dim green place of the trees,
Where the birds are singing, singing, singing, crying aloud
The song of the red, red rose that blossoms beyond the seas.
Would I could see it, the rose, when the light begins to fail,
And a lone white star in the West is glimmering on the mail;
The red, red passionate rose of the sacred blood of the Christ,
In the shining chalice of God, the cup of the Holy Grail.
The dusk comes gathering grey, and the darkness dims the West,
The oxen low to the byre, and all bells ring to rest;
But I ride over the moors, for the dusk still bides and waits,
That brims my soul with the glow of the rose that ends the Quest.
My horse is spavined and ribbed, and his bones come through his hide,
My sword is rotten with rust, but I shake the reins and ride,
For the bright white birds of God that nest in the rose have called,
And never a township now is a town where I can bide.
It will happen at last, at dusk, as my horse limps down the fell,
A star will glow like a note God strikes on a silver bell,
And the bright white birds of God will carry my soul to Christ,
And the sight of the Rose, the Rose, will pay for the years of hell
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by John Masefield
WOULD I could win some quiet and rest, and a little ease,
In the cool grey hush of the dusk, in the dim green place of the trees,
Where the birds are singing, singing, singing, crying aloud
The song of the red, red rose that blossoms beyond the seas.
Would I could see it, the rose, when the light begins to fail,
And a lone white star in the West is glimmering on the mail;
The red, red passionate rose of the sacred blood of the Christ,
In the shining chalice of God, the cup of the Holy Grail.
The dusk comes gathering grey, and the darkness dims the West,
The oxen low to the byre, and all bells ring to rest;
But I ride over the moors, for the dusk still bides and waits,
That brims my soul with the glow of the rose that ends the Quest.
My horse is spavined and ribbed, and his bones come through his hide,
My sword is rotten with rust, but I shake the reins and ride,
For the bright white birds of God that nest in the rose have called,
And never a township now is a town where I can bide.
It will happen at last, at dusk, as my horse limps down the fell,
A star will glow like a note God strikes on a silver bell,
And the bright white birds of God will carry my soul to Christ,
And the sight of the Rose, the Rose, will pay for the years of hell
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Spanish Waters by John Masefield
Spanish Waters
by John Masefield
Spanish waters, Spanish waters, you are ringing in my ears,
Like a slow sweet piece of music from the grey forgotten years;
Telling tales, and beating tunes, and bringing weary thoughts to me
Of the sandy beach at Muertos, where I would that I could be.
There's a surf breaks on Los Muertos, and it never stops to roar,
And it's there we came to anchor, and it's there we went ashore,
Where the blue lagoon is silent amid snags of rotting trees,
Dropping like the clothes of corpses cast up by the seas.
We anchored at Los Muertos when the dipping sun was red,
We left her half-a-mile to sea, to west of Nigger Head;
And before the mist was on the Cay, before the day was done,
We were all ashore on Muertos with the gold that we had won.
We bore it through the marshes in a half-score battered chests,
Sinking in the sucking quagmires to the sunburn on our breasts,
Heaving over tree-trunks, gasping, damning at the flies and heat,
Longing for a long drink, out of silver, in the ship’s cool lazareet.
The moon came white and ghostly as we laid the treasure down,
There was gear there’d make a beggarman as rich as Lima Town,
Copper charms and silver trinkets from the chests of Spanish crews,
Gold doubloons and double moidores, louis d’ors and portagues,
Clumsy yellow-metal earrings from the Indians of Brazil,
Uncut emeralds out of Rio, bezoar stones from Guayaquil;
Silver, in the crude and fashioned, pots of old Arica Bronze,
Jewels from the bones of Incas desecrated by the Dons.
We smoothed the place with mattocks, and we took and blazed the tree,
Which marks yon where the gear is hid that none will ever see,
And we laid aboard the ship again, and south away we steers,
Through the loud surf of Los Muertos which is beating in my ears.
I’m the last alive that knows it. All the rest have gone their ways
Killed, or died, or come to anchor in the old Mulatas Cays,
And I go singing, fiddling, old and starved and in despair,
And I know where all that gold is hid, if I were only there.
It’s not the way to end it all. I'm old, and nearly blind,
And an old man's past's a strange thing, for it never leaves his mind.
And I see in dreams, awhiles, the beach, the sun’s disc dipping red,
And the tall ship, under topsails, swaying in past Nigger Head.
I’d be glad to step ashore there, glad to take a pick and go
To the lone blazed coco-palm tree in the place no others know,
And lift the gold and silver that has mouldered there for years
By the loud surf of Los Muertos which is beating in my ears.
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by John Masefield
Spanish waters, Spanish waters, you are ringing in my ears,
Like a slow sweet piece of music from the grey forgotten years;
Telling tales, and beating tunes, and bringing weary thoughts to me
Of the sandy beach at Muertos, where I would that I could be.
There's a surf breaks on Los Muertos, and it never stops to roar,
And it's there we came to anchor, and it's there we went ashore,
Where the blue lagoon is silent amid snags of rotting trees,
Dropping like the clothes of corpses cast up by the seas.
We anchored at Los Muertos when the dipping sun was red,
We left her half-a-mile to sea, to west of Nigger Head;
And before the mist was on the Cay, before the day was done,
We were all ashore on Muertos with the gold that we had won.
We bore it through the marshes in a half-score battered chests,
Sinking in the sucking quagmires to the sunburn on our breasts,
Heaving over tree-trunks, gasping, damning at the flies and heat,
Longing for a long drink, out of silver, in the ship’s cool lazareet.
The moon came white and ghostly as we laid the treasure down,
There was gear there’d make a beggarman as rich as Lima Town,
Copper charms and silver trinkets from the chests of Spanish crews,
Gold doubloons and double moidores, louis d’ors and portagues,
Clumsy yellow-metal earrings from the Indians of Brazil,
Uncut emeralds out of Rio, bezoar stones from Guayaquil;
Silver, in the crude and fashioned, pots of old Arica Bronze,
Jewels from the bones of Incas desecrated by the Dons.
We smoothed the place with mattocks, and we took and blazed the tree,
Which marks yon where the gear is hid that none will ever see,
And we laid aboard the ship again, and south away we steers,
Through the loud surf of Los Muertos which is beating in my ears.
I’m the last alive that knows it. All the rest have gone their ways
Killed, or died, or come to anchor in the old Mulatas Cays,
And I go singing, fiddling, old and starved and in despair,
And I know where all that gold is hid, if I were only there.
It’s not the way to end it all. I'm old, and nearly blind,
And an old man's past's a strange thing, for it never leaves his mind.
And I see in dreams, awhiles, the beach, the sun’s disc dipping red,
And the tall ship, under topsails, swaying in past Nigger Head.
I’d be glad to step ashore there, glad to take a pick and go
To the lone blazed coco-palm tree in the place no others know,
And lift the gold and silver that has mouldered there for years
By the loud surf of Los Muertos which is beating in my ears.
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Mother Carey by John Masefield
Mother Carey
by John Masefield
(as told me by the bo'sun)
Mother Carey? She's the mother o' the witches
'N' all them sort o' rips;
She's a fine gell to look at, but the hitch is,
She's a sight too fond of ships;
She lives upon an iceberg to the norred,
'N' her man he's Davy Jones,
'N' she combs the weeds upon her forred
With pore drowned sailors' bones.
She's the mother o' the wrecks, 'n' the mother
Of all big winds as blows;
She's up to some deviltry or other
When it storms, or sleets, or snows;
The noise of the wind's her screamin',
'I'm arter a plump, young, fine,
Brass-buttoned, beefy-ribbed young seam'n
So as me 'n' my mate kin dine.'
She's a hungry old rip 'n' a cruel
For sailor-men like we,
She's give a many mariners the gruel
'N' a long sleep under sea;
She's the blood o' many a crew upon her
'N' the bones of many a wreck,
'N' she's barnacles a-growin' on her
'N' shark's teeth round her neck.
I ain't never had no schoolin'
Nor read no books like you,
But I knows 't ain't healthy to be foolin'
With that there gristly two;
You're young, you thinks, 'n' you're lairy,
But if you're to make old bones,
Steer clear, I says, o' Mother Carey,
'N' that there Davy Jones.
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by John Masefield
(as told me by the bo'sun)
Mother Carey? She's the mother o' the witches
'N' all them sort o' rips;
She's a fine gell to look at, but the hitch is,
She's a sight too fond of ships;
She lives upon an iceberg to the norred,
'N' her man he's Davy Jones,
'N' she combs the weeds upon her forred
With pore drowned sailors' bones.
She's the mother o' the wrecks, 'n' the mother
Of all big winds as blows;
She's up to some deviltry or other
When it storms, or sleets, or snows;
The noise of the wind's her screamin',
'I'm arter a plump, young, fine,
Brass-buttoned, beefy-ribbed young seam'n
So as me 'n' my mate kin dine.'
She's a hungry old rip 'n' a cruel
For sailor-men like we,
She's give a many mariners the gruel
'N' a long sleep under sea;
She's the blood o' many a crew upon her
'N' the bones of many a wreck,
'N' she's barnacles a-growin' on her
'N' shark's teeth round her neck.
I ain't never had no schoolin'
Nor read no books like you,
But I knows 't ain't healthy to be foolin'
With that there gristly two;
You're young, you thinks, 'n' you're lairy,
But if you're to make old bones,
Steer clear, I says, o' Mother Carey,
'N' that there Davy Jones.
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A Night at Dago Tom's by John Masefield
A Night at Dago Tom's
by John Masefield
Oh yesterday, I t'ink it was, while cruisin' down the street,
I met with Bill. "Hullo," he says, "let's give the girls a treat."
We'd red bandanas round our necks 'n' our shrouds new rattled down,
So we filled a couple of Santy Cruz and cleared for Sailor Town.
We scooted south with a press of sail till we fetched to a caboose,
The "Sailor's Rest," by Dago Tom, alongside "Paddy's Goose."
Red curtains to the windies, ay, 'n' white sand to the floor,
And an old blind fiddler liltin' the tune of "Lowlands No More."
He played the "Shaking of the Sheets" 'n' the couples did advance,
Bowing, stamping, curtsying, in the shuffling of the dance;
The old floor rocked and quivered, so it struck beholders dumb,
'N' afterwards there was sweet songs 'n' good Jamaikey rum.
'N' there was many a merry yarn of many a merry spree
Aboard the ships with royals set a-sailing on the sea,
Yarns of the hooker Spindrift, her as had the clipper-bow,
"There ain't no ships," says Bill to me, "like that there hooker now."
When the old blind fiddler played the tune of "Pipe the Watch Below,"
The skew-eyed landlord dowsed the glim and bade us "stamp 'n' go,"
'N' we linked it home, did Bill 'n' I, adown the scattered streets,
Until we fetched to Land o' Nod atween the linen sheets.
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by John Masefield
Oh yesterday, I t'ink it was, while cruisin' down the street,
I met with Bill. "Hullo," he says, "let's give the girls a treat."
We'd red bandanas round our necks 'n' our shrouds new rattled down,
So we filled a couple of Santy Cruz and cleared for Sailor Town.
We scooted south with a press of sail till we fetched to a caboose,
The "Sailor's Rest," by Dago Tom, alongside "Paddy's Goose."
Red curtains to the windies, ay, 'n' white sand to the floor,
And an old blind fiddler liltin' the tune of "Lowlands No More."
He played the "Shaking of the Sheets" 'n' the couples did advance,
Bowing, stamping, curtsying, in the shuffling of the dance;
The old floor rocked and quivered, so it struck beholders dumb,
'N' afterwards there was sweet songs 'n' good Jamaikey rum.
'N' there was many a merry yarn of many a merry spree
Aboard the ships with royals set a-sailing on the sea,
Yarns of the hooker Spindrift, her as had the clipper-bow,
"There ain't no ships," says Bill to me, "like that there hooker now."
When the old blind fiddler played the tune of "Pipe the Watch Below,"
The skew-eyed landlord dowsed the glim and bade us "stamp 'n' go,"
'N' we linked it home, did Bill 'n' I, adown the scattered streets,
Until we fetched to Land o' Nod atween the linen sheets.
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Vision by John Masefield
Vision
by John Masefield
I have drunken the red wine and flung the dice;
Yet once in the noisy ale-house I have seen and heard
The dear pale lady with the mournful eyes,
And a voice like that of a pure grey cooing bird.
With delicate white hands - white hands that I have kist
(Oh frail white hands!) - she soothed my aching eyes;
And her hair fell about her in a dim clinging mist,
Like smoke from a golden incense burned in Paradise.
With gentle loving words, like shredded balm and myrrh,
She healed with sweet forgiveness my black bitter sins,
Then passed into the night, and I go seeking her
Down the dark, silent streets, past the warm, lighted inns.
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by John Masefield
I have drunken the red wine and flung the dice;
Yet once in the noisy ale-house I have seen and heard
The dear pale lady with the mournful eyes,
And a voice like that of a pure grey cooing bird.
With delicate white hands - white hands that I have kist
(Oh frail white hands!) - she soothed my aching eyes;
And her hair fell about her in a dim clinging mist,
Like smoke from a golden incense burned in Paradise.
With gentle loving words, like shredded balm and myrrh,
She healed with sweet forgiveness my black bitter sins,
Then passed into the night, and I go seeking her
Down the dark, silent streets, past the warm, lighted inns.
Follow @SailPoet
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