A Ballad of Boding
A Ballad of John Silver (1902) by John Masefield...
A Channel Passage by Algernon Charles Swinburne
A Consecration (1902) by John Masefield
A Night at Dago Tom's by John Masefield
A Pier-Head Chorus by John Masefield
A Sailor’s Song
A Song at Parting (from Salt Water Ballads) (1902...
A Valediction (Liverpool Docks) by John Masefield
A Wanderer's Song by John Masefield
Bill (1902) by John Masefield
Biography by John Masefield
Burial-Party by John Masefield
Captain Stratton's Fancy by John Masefield
Cargoes by John Masefield
Crossing the Bar, Alfred, Lord Tennyson (1889)
Dover Beach
Evening - Regatta Day (1918) by John Masefield
Hell's Pavement by John Masefield
Ithaka
Mother Carey by John Masefield
O Captain! My Captain!
On Eastnor Knoll by John Masefield
Sea-Change by John Masefield
Sea-Fever
Sea-Heroes
Sing a Song o' Shipwreck (1902) by John Masefiel...
Song for All Seas, All Ships
Sorrow of Mydath by John Masefield
Spanish Waters by John Masefield
Terminus by Ralph Waldo Emerson
Tewkesbury Road by John Masefield
The Ballad of Sir Bors by John Masefield
The Convergence of the Twain by Thomas Hardy (1915...
The Golden City of St. Mary by John Masefield
THE ISLAND OF SKYROS, John Masefield
The Mystic Blue by D.H. Lawrence (1916)
The Rime of the Ancient Mariner
The Sailor Boy
The Sea Hold by Carl Sandburg
The Seafarer by Ezra Pound (from Ripostes, 1912)
The Secret of the Sea
The West Wind by John Masefield
The Yarn of the "Loch Achray" (1902) by John Mas...
Trade Winds
Vision by John Masefield
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Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
Sea-Heroes
Sea-Heroes
by H. D. (Hilda Doolittle)(from Coterie, 1920)
Crash on crash of the sea,
straining to wreck men; sea-boards, continents,
raging against the world, furious,
stay at last, for against your fury
and your mad fight,
the line of heroes stands, godlike:
Akroneos, Oknolos, Elatreus,
helm-of-boat, loosener-of-helm, dweller-by-sea,
Nauteus, sea-man,
Prumneos, stern-of-ship,
Agchilalos, sea-girt,
Elatreus, oar-shaft:
lover-of-the-sea, lover-of-the-sea-ebb,
lover-of-the-swift-sea,
Ponteus, Proreus, Oöos:
Anabesneos, who breaks to anger
as a wave to froth:
Amphiolos, one caught between
wave-shock and wave-shock:
Eurualos, board sea-wrack,
like Ares, man’s death,
and Naubolidos, best in shape,
of all first in size:
Phaekous, sea’s thunderbolt—
ah, crash on crash of great names—
man-tamer, man’s-help, perfect Laodamos:
and last the sons of great Alkinöos,
Laodamos, Halios, and god-like Clytomeos.
Of all nations, of all cities,
of all continents,
she is favoured above the rest,
for she gives men as great as the sea,
to battle against the elements and evil:
greater even than the sea,
they live beyond wrack and death of cities,
and each god-like name spoken
is as a shrine in a godless place.
But to name you,
we, reverent, are breathless,
weak with pain and old loss,
and exile and despair—
our hearts break but to speak
your name, Oknaleos—
and may we but call you in the feverish wrack
of our storm-strewn beach, Eretmeos,
our hurt is quiet and our hearts tamed,
as the sea may yet be tamed,
and we vow to float great ships,
named for each hero,
and oar-blades, cut of mountain-trees
as such men might have shaped:
Eretmeos, and the sea is swept,
baffled by the lordly shape,
Akroneos has pines for his ship’s keel;
to love, to mate the sea?
Ah there is Ponteos,
the very deep roar,
hailing you dear—
they clamour to Ponteos,
and to Proëos
leap, swift to kiss, to curl, to creep,
lover to mistress.
What wave, what love, what foam,
For Oöos who moves swift as the sea?
Ah stay, my heart, the weight
of lovers, of loneliness
drowns me,
alas that their very names
so press to break my heart
with heart-sick weariness,
what would they be,
the very gods,
rearing their mighty length
beside the unharvested sea?
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by H. D. (Hilda Doolittle)(from Coterie, 1920)
Crash on crash of the sea,
straining to wreck men; sea-boards, continents,
raging against the world, furious,
stay at last, for against your fury
and your mad fight,
the line of heroes stands, godlike:
Akroneos, Oknolos, Elatreus,
helm-of-boat, loosener-of-helm, dweller-by-sea,
Nauteus, sea-man,
Prumneos, stern-of-ship,
Agchilalos, sea-girt,
Elatreus, oar-shaft:
lover-of-the-sea, lover-of-the-sea-ebb,
lover-of-the-swift-sea,
Ponteus, Proreus, Oöos:
Anabesneos, who breaks to anger
as a wave to froth:
Amphiolos, one caught between
wave-shock and wave-shock:
Eurualos, board sea-wrack,
like Ares, man’s death,
and Naubolidos, best in shape,
of all first in size:
Phaekous, sea’s thunderbolt—
ah, crash on crash of great names—
man-tamer, man’s-help, perfect Laodamos:
and last the sons of great Alkinöos,
Laodamos, Halios, and god-like Clytomeos.
Of all nations, of all cities,
of all continents,
she is favoured above the rest,
for she gives men as great as the sea,
to battle against the elements and evil:
greater even than the sea,
they live beyond wrack and death of cities,
and each god-like name spoken
is as a shrine in a godless place.
But to name you,
we, reverent, are breathless,
weak with pain and old loss,
and exile and despair—
our hearts break but to speak
your name, Oknaleos—
and may we but call you in the feverish wrack
of our storm-strewn beach, Eretmeos,
our hurt is quiet and our hearts tamed,
as the sea may yet be tamed,
and we vow to float great ships,
named for each hero,
and oar-blades, cut of mountain-trees
as such men might have shaped:
Eretmeos, and the sea is swept,
baffled by the lordly shape,
Akroneos has pines for his ship’s keel;
to love, to mate the sea?
Ah there is Ponteos,
the very deep roar,
hailing you dear—
they clamour to Ponteos,
and to Proëos
leap, swift to kiss, to curl, to creep,
lover to mistress.
What wave, what love, what foam,
For Oöos who moves swift as the sea?
Ah stay, my heart, the weight
of lovers, of loneliness
drowns me,
alas that their very names
so press to break my heart
with heart-sick weariness,
what would they be,
the very gods,
rearing their mighty length
beside the unharvested sea?
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The Sea Hold by Carl Sandburg
The Sea Hold
by Carl Sandburg (from Cornhuskers, 1918)
The sea is large.
The sea hold on a leg of land in the Chesapeake hugs an early sunset and a last morning star over the oyster beds and the late clam boats of lonely men.
Five white houses on a half-mile strip of land... five white dice rolled from a tube.
Not so long ago the sea was large...
And to-day the sea has lost nothing... it keeps all.
I am a loon about the sea.
I make so many sea songs, I cry so many sea cries, I forget so many sea songs and sea cries.
I am a loon about the sea.
So are five men I had a fish fry with once in a tar-paper shack trembling in a sand storm.
The sea knows more about them than they know themselves.
They know only how the sea hugs and will not let go.
The sea is large.
The sea must know more than any of us.
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by Carl Sandburg (from Cornhuskers, 1918)
The sea is large.
The sea hold on a leg of land in the Chesapeake hugs an early sunset and a last morning star over the oyster beds and the late clam boats of lonely men.
Five white houses on a half-mile strip of land... five white dice rolled from a tube.
Not so long ago the sea was large...
And to-day the sea has lost nothing... it keeps all.
I am a loon about the sea.
I make so many sea songs, I cry so many sea cries, I forget so many sea songs and sea cries.
I am a loon about the sea.
So are five men I had a fish fry with once in a tar-paper shack trembling in a sand storm.
The sea knows more about them than they know themselves.
They know only how the sea hugs and will not let go.
The sea is large.
The sea must know more than any of us.
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Crossing the Bar, Alfred, Lord Tennyson (1889)
Crossing the Bar
Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.
Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;
For though from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crossed the bar.
--by Alfred, Lord Tennyson (1889)
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Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.
Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;
For though from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crossed the bar.
--by Alfred, Lord Tennyson (1889)
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Mother Carey by John Masefield
Mother Carey
by John Masefield
(as told me by the bo'sun)
Mother Carey? She's the mother o' the witches
'N' all them sort o' rips;
She's a fine gell to look at, but the hitch is,
She's a sight too fond of ships;
She lives upon an iceberg to the norred,
'N' her man he's Davy Jones,
'N' she combs the weeds upon her forred
With pore drowned sailors' bones.
She's the mother o' the wrecks, 'n' the mother
Of all big winds as blows;
She's up to some deviltry or other
When it storms, or sleets, or snows;
The noise of the wind's her screamin',
'I'm arter a plump, young, fine,
Brass-buttoned, beefy-ribbed young seam'n
So as me 'n' my mate kin dine.'
She's a hungry old rip 'n' a cruel
For sailor-men like we,
She's give a many mariners the gruel
'N' a long sleep under sea;
She's the blood o' many a crew upon her
'N' the bones of many a wreck,
'N' she's barnacles a-growin' on her
'N' shark's teeth round her neck.
I ain't never had no schoolin'
Nor read no books like you,
But I knows 't ain't healthy to be foolin'
With that there gristly two;
You're young, you thinks, 'n' you're lairy,
But if you're to make old bones,
Steer clear, I says, o' Mother Carey,
'N' that there Davy Jones.
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by John Masefield
(as told me by the bo'sun)
Mother Carey? She's the mother o' the witches
'N' all them sort o' rips;
She's a fine gell to look at, but the hitch is,
She's a sight too fond of ships;
She lives upon an iceberg to the norred,
'N' her man he's Davy Jones,
'N' she combs the weeds upon her forred
With pore drowned sailors' bones.
She's the mother o' the wrecks, 'n' the mother
Of all big winds as blows;
She's up to some deviltry or other
When it storms, or sleets, or snows;
The noise of the wind's her screamin',
'I'm arter a plump, young, fine,
Brass-buttoned, beefy-ribbed young seam'n
So as me 'n' my mate kin dine.'
She's a hungry old rip 'n' a cruel
For sailor-men like we,
She's give a many mariners the gruel
'N' a long sleep under sea;
She's the blood o' many a crew upon her
'N' the bones of many a wreck,
'N' she's barnacles a-growin' on her
'N' shark's teeth round her neck.
I ain't never had no schoolin'
Nor read no books like you,
But I knows 't ain't healthy to be foolin'
With that there gristly two;
You're young, you thinks, 'n' you're lairy,
But if you're to make old bones,
Steer clear, I says, o' Mother Carey,
'N' that there Davy Jones.
Follow @SailPoet
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